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Council grinds on about bumps

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Hoping to give Point Dume residents an opportunity to try out a kinder, gentler alternative to the widely despised speed bump, Mayor Pro Tem Walt Keller asked his colleagues at Monday’s City Council meeting to back his proposal to place a temporary speed table on Fernhill Drive. Council members voted down his proposal, citing a perception that Point Dume residents do not want any traffic-calming devices that even remotely resemble speed bumps.

The council voted instead to direct city staff to research the variety of traffic-calming devices available, and in a separate measure, voted to conduct a poll of Point Dume residents for a definitive take on their opinion of speed bumps.

Residents have long complained of racing drivers in their neighborhood, particularly on Dume and Fernhill drives, but many residents say they do not want speed bumps as a way to slow drivers down because they regard the humps as ugly and a nuisance. Emergency personnel say they tend to slow down their emergency-response time, as fire engines and ambulances must come to almost a complete stop before driving over each bump.

Keller thought speed tables, which are lower to the ground and flatter on top than speed bumps, might be an acceptable alternative. He said he wanted to allow Point Dume residents an opportunity to have one on a trial basis on one of their most speed-prone streets.

Point Dume residents Andrew Stern and Frank Basso encouraged the council to back Keller’s proposal, but Don McClay, another resident, said he did not think speed tables are appropriate for Malibu. “They are part and parcel of suburbia, which we are not,” McClay said.

Council members Tom Hasse and Carolyn Van Horn debated the location of the proposed speed table. Hasse said he would not support one on a public street, but suggested Point Dume Shopping Center as an alternative site. Van Horn, who supported Keller’s proposal, said it should go near Point Dume Marine Science Elementary School because of the speeders’ threat to children’s safety. “Let’s put it where we can save someone from being hit,” she said.

Hasse said he did not want to go against what he feels are the wishes of residents. “I don’t believe the majority of residents in your neighborhood want them,” he said.

Mayor Joan House prevailed on her separate motion that city staff provide an analysis of all the different kinds of traffic-calming devices.

Apparently in a poll-taking mood after approving one for parks and recreation earlier in the day [see story, A1], the council also backed a motion by Hasse to survey Point residents on the issue of speed bumps. “When I ran for council, we said we would listen to the neighbors,” said Councilman Harry Barovsky.

In other business, the council instructed city staff and the Planning Commission to propose an amendment to the temporary permit section of the zoning ordinance, in light of a recent concert party at a private home.

The city, in August, approved a permit for a performance by the rock band Hootie and the Blowfish for 800 guests at a Malibu Park home. Neighboring residents complained of the noise and because they were not notified of the party.

“We had no idea this was coming,” resident Hans Laetz told the council. He asked the council to amend the ordinance so permits for rock concerts would not be granted. Laetz also told council members that off-duty sheriff deputies working at the party ignored residents’ complaints. He asked the council to consider requiring that deputies be more responsive when they work off-duty at special events in the city.

Speak the speech

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Democracy is not easy, but it is by far the best form of government we have.

Participation in democracy means more than voting, though voting is absolutely vital.

Freedom to discuss, argue, read, listen, write letters, editorials, join groups is also a key element in democracy.

Freedom of speech and freedom of the press we must honor.

Civility is absolutely necessary also, but often neglected, forgotten or lost along the way of trying to “win.” But I value the freedom of expression very highly and thus have personally endured eight years of various anonymous hate mail, phone calls threatening my person and home, and even experienced the sheriff coming to my home to check on my safety due to their receiving calls regarding my safety.

This is a sad commentary on local politics. But let’s remember democracy is the best form of government available; freedom of speech is vital; freedom of advocacy, freedom of voting and responsibility of each one of us is vital to a healthy democracy. And perhaps civility will be learned and honored along the way.

Carolyn Van Horn,

city councilmember

A dear doe letter

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I am writing this letter in response to your injured deer story [The Malibu Times, Oct. 8].

My husband was also at the scene with Ms. Sprafka. He called the Malibu Canyon Wildlife Center for help and their response was, “We don’t respond to deer calls anymore.” This answer prompted me to find another agency who did respond to deer calls. I called the Sepulveda Animal Hosital for help and they referred me to the Wildlife Emergency Way Station (phone 818-899-5201). They were incredible. They were extremely concerned for the animal, they wanted to know if the animal was comfortable and to please have someone stay with the animal until they showed up. They immediately dispatched a vet. The Way Station supervisor called me back to say they were on the way and if anything was to happen to the deer or if another agency showed up to please call them back. Wel1 that’s exactly what happened. Animal Control showed up and euthanized the animal.

I gotta say I love the way the Malibu Wildlife Center director and president are quoted in this story when in truth their agency never bothered to come out, send someone out or even express concern. My husband had the same feelings as Ms. Sprafka of frustration and disgust over the lack of sympathy or action from the various agencies in Malibu. If this does happen to someone else (and we all hope it doesn’t) please call the number above. We found out the hard way.

Ms. Stein

Queen of the Hill

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The famed Malibu castle now has a queen. Renowned philanthropist and party giver Lilly Lawrence is turning the fairy-tale property into her palace by the sea. “Isn’t it exciting?” Lawrence said. “I just love the romance of it.”

Lawrence purchased the whimsical estate for $2.8 million and plans on making “a few little renovations.” Those renovations include the addition of an infinity pool, rock pool, numerous courtyard fountains, a gym room, an ocean-view ballroom and a rock-and-roll room to house her impressive collection of music memorabilia. When complete, newly renamed “Kashan Court” will provide the perfect backdrop for Lilly’s lavish bashes. “I do like to entertain,” she says in a playful tone.

Her eight-bedroom, 10,000-square-foot medieval fortress was built in 1978 by Dr. Tom Hodges. Dressed in natural stone, it was modeled after a 13th century Scottish castle and has become one of the city’s most intriguing landmarks.

Although she maintains homes around the world, Lawrence is no stranger to Malibu. Her late husband, Bunty Lawrence, grew up in the house next to Frank Capra’s, and his parents were among the area’s first non-Chumash residents. She remembers admiring the castle years ago. When she returned as a potential buyer, it was love at first sight. “There is something magical about it,” she says. “You have the Pacific laid out before you like a tapestry and the mountains embracing you on the other side.”

The ecstasy of Malibu is obvious, but between fires, floods and Caltrans, newcomers are wise to expect a little agony too. How will this strikingly beautiful, international jet setter fair under the next El Nino or slide or blaze? Have no fear, Lawrence already exhibits the true Malibu spirit. “Once you’ve been up there,” she says, “nothing else matters.” And so enter Lilly Lawrence, the effervescent, merry widow who’s ready for the good and the bad, come rain or come shine. She may sparkle in gems, she may throw a mean party, but she also drives an El Camino.

The zen of us

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What is wrong with the city of Malibu can be fixed by what is right with the city of Malibu. Problem! I can’t find anything right with the city of Malibu.

Tom Fakehany

What price fresh air?

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Residents will be surveyed next month to gauge their support for paying up to $40 million, through a bond measure, for the creation of parks, recreational fields and wetlands in Malibu.

The results of the Nov. 14 “baseline” or “benchmark” poll, approved during a special session of the City Council Monday, may determine whether a bond measure is even placed on the ballot in the April 2000 election.

Passage of a bond measure requires 67 percent voter approval, so if the survey shows public support at less than 35 percent, “You should give up,” said Bryan Godbe, who was hired by the city to conduct the poll.

A $30 million bond is “as high as you would want to test” because any higher amount would be “out of passage range,” Godbe said. Mayor Joan House and council members Tom Hasse and Harry Barovsky asked that the survey test public reaction to a $40 million bond.

If approved in the April 2000 election, the bond would be paid by increasing property taxes on homeowners and increasing rent on residents of mobile-home parks.

How much more in taxes homeowners would pay depends on the assessed valuation of a home, said City Manager Harry Peacock, who estimated the average assessed valuation in Malibu to be $500,000. Godbe figured that much over $46 per year per $100,000 assessed valuation “is not happening.” At $46, that would mean an average property tax increase of about $230 per year.

Residents of mobile-home parks, who do not pay a property tax because they rent, would pay only about $15 per year on a $30 million bond and about $20 per year on a $40 million bond, Peacock estimated.

A working draft of the questions to be asked will be prepared by next week, Godbe pledged. He encouraged councilmembers to send him their suggestions for questions by the end of this week. Hasse already had his questions prepared.

Barovsky wanted the survey to test people’s reaction to the bond measure if they knew that plans were being submitted to commercially develop the Chili Cook off site, as well as a parcel west of City Hall, and that increased development would mean increased traffic congestion.

About 400 people are expected to be surveyed by telephone for 15 minutes at dinnertime, and they would be asked between 75 and 95 questions, Godbe estimated. Councilwoman Carolyn Van Horn suggested that if the poll lasts longer than six to seven minutes, people would become annoyed, so they would more likely give negative responses. Since the issues concern the community, “people are more likely to stay with it than a product survey,” Godbe replied.

Considering the recent economic turmoil, especially in the stock market, House wondered whether people would be less willing to spend money. “It certainly will have an impact,” Godbe said.

The councilmembers expressed concern over the chances of success this time because a survey performed last year showed little support for increasing taxes to pay for public works. Godbe pointed out that there were multiple ballot questions last year, whereas this survey will be more focused. Also, he said, “If the bond measure is preceded by grants or private money, that’s useful.” Besides, he said, “Potholes are not as fun as parks.”

Based on the results of the baseline or benchmark survey, a program to educate the community will be formulated and implemented. With education you can “push support up to a level that can put it on the ballot,” Godbe said.

House suggested “a little education beforehand so people aren’t hit totally cold” by the survey, but Godbe said he would rather “find out where people are without information because you can’t predict what information may or may not work.”

Hasse questioned the legality of an education program sponsored by the city. “This city has to be very careful. What is advocacy versus what is education? The law is vague. I don’t want the city of Malibu to be a test case,” he said. He preferred to see the public educated through an “independent entity separate and apart from the city,” which, he thought, could include councilmembers.

Regardless of its legality, the public’s perception of an education program sponsored by the city would be too damaging, according to Godbe. “The politics would kill you long before the legal problems,” he said.

After education, there would be a “tracking” survey conducted to determine “if, in fact, [education] moved public opinion” Godbe said. Based on his experience, moving the public from 37 percent approval to the required 67 percent would take between 12 and 18 months.

Conservancy director may hold down the noise

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Santa Monica Mountains Conservancy Executive Director Joe Edmiston came to the City Council meeting Monday armed with a proposal to ward off possible litigation with the city over zoning issues. The council was mum about the proposal, but City Attorney Christi Hogin later said that in closed session, the council members indicated they are prepared to file suit if one final option is not resolved to their satisfaction.

The Streisand Center for Conservancy Studies, an affiliated agency of the conservancy, holds private, catered functions at the facility in Ramirez Canyon to raise funds for its operation. The rental fees from the functions are also used to maintain the grounds at Barbra Streisand’s former estate, which she donated to the conservancy in 1993.

Residents are trying to end the functions, which they say have ruined the canyon. The events, often large weddings, bring noise and traffic into the private community almost every weekend, they say.

The city says the functions violate zoning laws because the conservancy has never applied for a special event permit for any of the three or so events held there each month.

The conservancy says it does not have to apply for a permit because, as a state agency, it is sovereign to the city.

Hogin agrees that the state normally has superseding authority over a city, but she maintains that the state must submit to local zoning laws when it rents out its property for reasons that have nothing to do with an agency’s purpose.

Edmiston touched only briefly on that issue at the meeting by acknowledging a difference of opinion on the matter.

“Your counsel and our counsel probably disagree over the extent to which the city can regulate the state of California,” he said.

Instead, Edmiston proposed having all future functions fulfill the requirements for obtaining a special event permit from the city, which he said would mainly mean lowering the decibel level of amplified music.

Edmiston said he hoped an agreement could be reached with the city, and he joked about sparring with City Manager Harry Peacock.

“If it doesn’t work, then Mr. Peacock and I can duke it out,” he said.

The council would not comment on the dispute. Hogin later said that during the closed session, the council members indicated they are concerned about the events at the center. The city is considering one final option, which she did not disclose, before proceeding with a lawsuit.

“The council wants it to go back to being a residential neighborhood,” she said.

I Remember

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O’ Malibu, O’ Malibu, I remember years before

The laws and local politics

Came knocking at our door.

When life was peaceful and sublime,

And politicians weren’t around,

To display their ego – and justify –

Ideas far from sound

And now we have the Wetlands thing,

And Restrictions everywhere.

Home Business License and new Tax

And Controls, few sane would dare.

The Goby Habitat is due –

And dire Restrictions where to build.

If the slope is fifteen plus degrees,

You can’t afford the fill.

Inspectors hide on quiet days

Along our private streets;

Listening for the slightest sounds

From illegal home-alteration freaks.

Neighbors now are at great odds

On who should build on hills.

And even the colors that you paint

Are Controlled for window sills.

There are now environmental reviews

And Wetland Delineation –

Land Use subcommittees

And Task Force denigrations.

O’ how I long for years gone by

Before the politicians came;

And all the controls, and God what knows.

O’ please don’t use my name!

Phineas P. Fogbottom

From the ‘Bu to the Big Apple

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Acceptance into the prestigious Juilliard music school apparently came easily to Andrew von Oeyen. Staying there just might not be so easy.

Within a week of his arrival in New York, he suffered a collapsed lung and required hospitalization. Then there was that little incident while he was leading a Malibu Times reporter on an informal tour of the school, and security was called to escort the trespassers out of a locked theater lobby. If talent and personality have anything to do with it, however, one day Malibu’s favorite young pianist will number among Juilliard’s favorite graduates.

During lunch at Tavern on the Green, a block from the school, the modest, nearly 19-year-old unwillingly discusses his illness but willingly discusses music, although he mentions neither his winning the L.A. Philharmonic Orchestra’s Bronislaw Kaper Award, nor that he has already debuted with that orchestra, nor his vast concert history. Instead, he recounts the help his teachers proffered and the scholarships the Malibu community has awarded him — particularly the Malibu Woman’s Club and Malibu Rotary Club.

With 400 other piano hopefuls (1,000 had been screened), the Crossroads School graduate auditioned in New York for acceptance into Juilliard. “You’re given 10 minutes to prove what you’ve got to the piano faculty,” he says. They required four pieces from contrasting periods: baroque, classical, romantic and 20th century. Von Oeyen played Bach’s Prelude and Fugue in d from the Well-Tempered Clavier, Beethoven’s Waldstein Sonata, Schumann’s Piano Sonata No. 2 and Ginastera’s Piano Sonata No. 1. The faculty sat in a cold, dark room where they had been cloistered all day. “They didn’t smile,” he recalls.

He found his name and only one other listed on the callback board that afternoon. He suggests that he did well because his Los Angeles piano teacher, Daniel Pollack (USC’s reknowned piano professor), arranged for him to practice the night before at Steinway Hall. Also, he says, he felt relaxed knowing he made the callback and knowing, “If I didn’t get in Juilliard, I would also have a happy life going somewhere else.” He returned home and checked his mail every day. He was one of 20 pianists accepted.

Juilliard was his first choice, primarily so he could continue his studies with Juilliard piano professor Herbert Stessin. Von Oeyen studied with Stessin at the 1997 and 1998 Aspen Music Festival School. He says his teacher speaks to him in metaphors, which von Oeyen understands immediately.

On the night before his flight to school, he packed his suitcases until 3 a.m. His family came with him, stopping off in the Midwest for a family reunion. “Little did I know they’d be back in a couple of days to see me in the hospital,” he says.

He arrived in New York in time for Juilliard’s orientation. One week later, he experienced stabbing pains in his side and shortness of breath. He waited a day before seeing the school nurse. After X-rays were taken, he left campus for lunch. When he returned, the doctor was waiting for him with the news that an ambulance was on its way for him. “I was completely shocked,” von Oeyen says. “He reassured me that it was a common procedure to reinflate the lung, and that I would be out in a couple of days. I didn’t want to get on a gurney. It was embarrassing to be wheeled through the building. It was a really frightening experience on the gurney.” He missed the first week-and-a-half of school but nonetheless became one of the most well-known members of the freshman class. “Even people who didn’t know me here were very supportive,” he says. Students in the supposedly competitive school brought flowers and balloons to the hospital.

The lung reinflated, but the doctors found an air leak in it. They waited one week to see if the leak would stop. It did not. “I had the best thoracic surgeon in New York City,” he says of his stay at Beth Israel Hospital, which taught him to appreciate the medical profession.

From his room on the 26th floor of Juilliard’s Meredith Wilson Residence Hall, von Oeyen has a view over the upper west side of Manhattan and even up the Hudson River. He says he is there only to sleep and do homework. He shares a suite with music, drama and dance students. “The diversity is nice,” he says.

His classes include Music Theory 3 (thanks to Crossroads, he says, he passed over two semesters of theory), Music Literature, Music History, Ear Training, Piano Topics, Humanities, German, the Juilliard Colloquium (where he interacts with dance and drama students) and, of course, his piano lesson. “They give me time to practice,” he assures. “It is a perfect school.” Nonetheless, he hopes to supplement his education with a class in conducting (currently taught at the graduate level) and an additional class at Columbia University.

Meanwhile, he says, he must step out of the school for a while every day. “Otherwise,” he says, “the music starts to reflect the coldness and claustrophobia of a practice room.” So far, he has stepped out accompanied by the many visitors from Malibu who pass through New York, seeing theater or playing tourist in Times Square.

After lunch, in response to a bit of begging, von Oeyen gives a tour of the school. He is a one-man chamber of commerce. Without prompting, he recalls the interviewer’s answers to his lunch-time questions, so the tour passes a dance class in progress and through the theater department.

In the music department, he greets absolutely everyone, and many ask after his health. He seems to know not only every student’s name, but their prior teachers and the individual pieces each is working on. He is not shy about opening practice room doors to introduce one and all.

Soon we come upon his piano teacher’s room. Stessin is almost as open and chatty as von Oeyen, but his next student seems anxious to begin her lesson, so Stessin limits his on-the-record comments to, “He’s a good kid,” spoken with a definite twinkle in his eyes. In these days of political scrutiny, proper behavior seems valued above talent.

My tour guide suggests we see the theater where the school orchestra performs. We find our way into the basement, where a door leads us into the empty theater lobby. The door locks behind us. We pound on every possible exit. A man preparing the bar behind glass doors will not let us out and says he is calling security. I ponder how I can explain to his parents, the Rotary Club and the Malibu Woman’s Club how I got him tossed out of school after all he’d been through.

A security guard finally sets us free. We bid each other a conspiratorial goodbye. Von Oeyen heads for a practice room. He might be playing a nice transcription of “Fidelio.”

Andrew von Oeyen will appear with the Santa Monica Symphony Orchestra Dec. 13 at 4 p.m. at the Santa Monica Civic Auditorium.

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