It’s all in the eye of the beholder.
That’s how you could explain the photographic art of Dr. Bruce Rays of Malibu. Where others see only a rotting wood pier, he sees the potential for capturing art on film.
The 54-year-old psychologist, who has had an office in the Cross Creek area for 15 years, likes to take pictures of piers, especially ones that have been beaten to kindling by waves.
“I specialize in waterfront shots,” says Rays, who will exhibit his work at the McLean Gallery starting Feb. 8.
“I like to shoot piers, and also sea animals, like dolphins and sea birds,” he said, as he previewed some of his photography.
A former surfer, and for a time, a nature guide in Wyoming, the New York state native finds shooting pictures of nature to be a restful activity, and often advocates it to his patients. “I often recommend to some of the high school age children I consult that they take up nature photography,” he says, “because it slows down their pace and focuses them on something. It gets them into appreciating life and nature.”
He also finds observing animals in nature exhilarating. “The dolphins particularly have a joyfulness about them. When we see their enthusiasm, that touches something inside of us.”
One of his most amusing photographs, of sea birds gathered on the beach, shows the lengths he will go to get a picture. He crawled up to the birds on his belly and waited until they were accustomed to his presence, then snapped the picture–the result, they look like commuters waiting for a bus.
For inspiration, he points to the greats of nature photography, among them Ansel Adams, Dorothea Lange, Cole Weston, Michael Kenna and Bill Brandt.
Rays uses three different cameras, a Nikon N90, which is somewhat resistant to water, though not an underwater camera, a Nikon F5 and a Mamiya R2. He prefers to shoot with a tripod, and employs several variable-focus lenses, up to 400 millimeters. For film, he prefers Kodak film, such as 3200 TMZ, or Plus-X, but also likes Agfa, of film speeds 25 and 100. He rents a darkroom in Malibu where he does 8-by-10-inch test prints and then, when he finds one he likes, he takes it to a master printer for printing on high grade Kodak papers.
Some of his work consists of photographic prints and others are glycees–computer prints, sometimes called “Iris prints.” They are printed on acid-free paper and should last as long as a traditional print photograph.
“I prefer black and white to color,” Rays says of his preference in the medium he uses, “because color can be distracting.” He likes the “strength” that black and white can communicate.
“I see in black and white,” he jokes. “I like to shoot when there are long shadows. I compose with light.”
Some of his black and whites are sepia toned. All of his pictures are sold framed and with Plexiglass protecting them. Some are signed and numbered editions.
His work is reasonably priced, with a 20-by-24-inch image going for $800 and smaller ones for less.
Rays has established a following, especially locally where his work has been featured in several galleries. In the last two years he has sold more than 200 prints, and has been featured in several magazines, including one published by Nikon. “People in Malibu connect to my photographs,” he says. “Though sometimes I catch the ocean in such a wild and woolly mood that they think the picture was taken further up the coast.”
One subject especially endearing to surfing traditionalists is his “woodie” series, named after the wood-bodied station wagons that surfers have used since the 1940s.
A resident of Malibu for more than 25 years, he says his wife and son are enthusiastic about his work, and has several of his pictures on display in his home. “But they don’t want to get up at dawn to go out with me to the beach to take a picture,” he laments.
The exhibition of Rays’ waterfront photographs will take place at the McLean Gallery, 23410 Civic Center Way, Malibu, from Feb. 7 through March 11. A reception, open to the public, takes place 6 p.m. to 8:30 p.m., Feb. 10 at the gallery.