With a reputation for fantastic acrobatics, costumes, stage design and music, expectations were set high for ” Delirium,” Cirque du Soleil’s latest show on tour, presented by Live Nation, now playing at the Staples Center.
Expectations were not met.
While a preview party that took place center stage at the center, with a Hell theme on one side and Heaven on the other, each serving respectively themed drinks and food, was fun, the show was not.
The stage was narrow and long, with screens at both ends projecting prerecorded scenes, as well as magnifying what was taking place on stage. Wondering how the performers would do such a show that they’re known for on such a small stage, it became apparent there was no need for more space because there were no wildly fantastic feats. Instead, “Delirium” was more of a musical, with high-tech imagery.
The theme of the show seemed to be that of World music and costumes, with such scenes as one reflecting a “Nuevo” tango flare, and another Pacific Islander fare, as well as other cultures represented. However, the music sounded the same in each scene-a repetitive 70s/80s techno beat resounded throughout all the music performed. Promoters are billing the show as the first time Cirque Du Soleil’s creators have put lyrics to their music. They should have stuck with just the music and the invented language. The lyrics were as repetitive as the drum beats used throughout the show.
The main character floating from a balloon throughout the show said at one point: “I’m so glad this is a dream, because this is really, really weird.”
And the costumes, designed by Michel Robidas, were weird and wildly creative-but they quickly became the only interesting thing; better to go home early and browse through the uninformative program, which had great photos.
As the lyrics in one song repeated over and over in a scene: “It’s time to go.”